The Blaschkas' studio was located in Hosterwitz, near Dresden, Germany. Just imagining these fragile works crossing the Atlantic ocean and arriving intact in Boston was awe inspiring and a feat in and of itself for that time.
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I photographed the collection of these gorgeous biological specimens with fellow artist Heather Horton-Flynn who is a glass artist. She explained how incredibly difficult it was to create fine hair-like structures and get accurate coloring in glass. We marveled at the skill and time it must have taken to make these life-like objects.
Life-like but with no life. As beautiful as these forms are, they had a dullness and seemed to lack a vibrant life energy that the real thing has. This came as a surprise, as I expected them to be like the bright shocking hues of flowers we see in the grocery store.
I am always inspired by natural forms and particularly enjoyed the cross sections and magnifications of the flowers reproductive organs. How like a mandala a transverse cross section of a flowers ovaries are.
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